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Phim chất lượng cao online của MeFilm khác gì so với các trang phim khác?

- Là phim bluray (reencoded), có độ phân giải thấp nhất là Full HD (1080p), trong khi hầu hết các trang phim khác chỉ có tới độ phân giải HD (720p) là cao nhất

- Chất lượng cao, lượng dữ liệu trên giây (bitrate) gấp từ 5 - 10 lần phim online thông thường - đây là yếu tố quyết định độ nét của phim (thậm chí còn quan trọng hơn độ phân giải)

- Sử dụng codec video hiện đại (H.264/AVC hoặc H.265/HEVC) giúp nén Âm thanh 5.1 (6 channel) thay vì stereo (2 channel) như các trang phim khác (kể cả Youtube)

- Phù hợp để xem trên màn hình TV, máy tính, laptop có độ phân giải cao

Tổng phim đã tham gia (21)

Lumière Award to Chris Marker

May Days

The Invention of Chris Marker

Sans Soleil

Rush - Voyage à Moscou

Agnès Varda: From Here to There

Ten Lives of a Cat: A Film about Chris Marker

One Day in the Life of Andrei Arsenevich

Chris Marker

Thông tin cá nhân

Nghề nghiệp

Directing

Giới tính

Nam

Ngày sinh

1921-07-29

Nơi sinh

Neuilly-sur-Seine, Hauts-de-Seine, Île-de-France, France

Chris Marker

Tiểu sử

Christian François Bouche-Villeneuve, better known as Chris Marker (France, 29 July 1921 – 29 July 2012), was a French writer, poet, activist, critic, photographer, traveler, journalist, film essayist, multimedia artist, and documentary filmmaker. He began his career as part of the French Rive Gauche group—parallel to but distinct from the Nouvelle Vague—with which he would later share certain themes and collaborators. Marker is credited with developing the subjective documentary and is considered a pioneer of collective cinema in France. His films are known for their poetic, essayistic, and often experimental qualities, blending a reflective voice with a fascination for memory, art, war, politics, culture, and nature. Over six decades of work, he observed the world with meticulous curiosity, irony, and compassion, continually experimenting with new forms of image manipulation and montage. He was also famously elusive. For many years, few people knew what Chris Marker looked like—he disliked being photographed, and no confirmed portraits were publicly available. He often amused himself by giving contradictory accounts of his life in the rare interviews he granted. As Philippe Dubois observed, “Chris Marker is, in a way, the most celebrated of the unknown filmmakers.” His official website adds: “Rather than a man without qualities, he is a man without biography.” Marker also worked under numerous pseudonyms, including Hayao Yamaneko, Jacopo Berenzini, Kosinki, Michel Krasna, Sandor Krasna, and Guillaume-en-Égypte (his feline avatar), though his best-known identity remains Chris Marker. Among his most significant works are La Jetée (1962), Sans Soleil (1983), Far from Vietnam (1967), A Grin Without a Cat (1977), A.K. (1985), Level Five (1997), and One Day in the Life of Andrei Arsenevich (1999). He also explored interactive and digital media with the CD-ROM Immemory (1997), maintained a website titled Gorgomancy, a YouTube channel called Kosinki, and created a virtual gallery, Ouvroir, within the online world Second Life.

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